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Inside Symphonic Asia Pacific’s Double Bill: Where Music Education Met Community

  • May Flores
  • Entertainment
  • June 30, 2026

One June evening in Makati, Sari-Sari Bar had the feel of a room where the music industry had taken off its formal jacket.

There were artists catching up by the bar, label people trading stories, and musicians waiting for their turn onstage. But before the lights shifted and the night gave way to performances, the same space had already served a different purpose: helping artists understand the business behind the songs they release.

That was the idea behind Symphonic Asia Pacific’s June 18 gathering, which brought together two connected events in one day: the Spotify Masterclass in the afternoon and Symphonic Social Night in the evening.

The day began with practical conversations. The Spotify Masterclass gave artists, labels, and music professionals a closer look at the streaming ecosystem, from Spotify for Artists tools and analytics to promotional opportunities, audience development, and best practices for growing a release beyond upload day.

Participants included representatives from Underdog Music Asia, FlipMusic, Fire and Ice, Diorama FM, Groovy Garden Records, Music Monks, and Playback Records, along with music icon Jim Paredes.

For G, Symphonic Distribution’s Director of A&R and Client Development for APAC, the goal was to help artists become more confident in navigating a music industry that is now more open, but also more demanding.

 

“Symphonic’s goal is for participants to gain a clearer understanding of how to build sustainable careers, use available tools and platforms more effectively, and make informed decisions that support their long-term growth in the industry,” Lorenzana said.

He said the modern artist is no longer expected to focus only on making music. Today’s independent musicians often have to think about distribution, marketing, analytics, branding, audience engagement, and business strategy all at once.

“The music industry is more accessible than ever, but it has also become increasingly complex,” Lorenzana said.

That made the masterclass feel less like a technical briefing and more like a necessary check-in for artists trying to build careers in a crowded digital space. Access to platforms may have opened the door, but understanding how to move inside that space has become just as important.

By evening, the mood changed.

Symphonic Social Night turned the day’s industry conversations into a gathering built around performance, connection, and community. The event gave artists, partners, and creative professionals a chance to meet beyond the usual formal setting, while also spotlighting acts from Symphonic Distribution’s growing roster.

P-Pop group VVINK, fresh from the release of its debut album, brought bright pop energy, polished choreography, and a confident stage presence. Chezka and Novocrane followed with sets shaped by melodic grit and creative edge, while Indonesian artist Jordan Susanto gave the room a more soulful pull.

Symphonic’s own Fiona performed original material, while P4blo delivered hard-hitting verses that drew a strong response from the crowd. Pop-punk veterans Letter Day Story added a familiar rush of nostalgia, performing fan favorites alongside newer songs.

Lorenzana later moved from industry host to DJ, taking over the decks to close the night.

For him, the pairing of a masterclass and a live showcase was intentional. The learning mattered, but so did the room it created.

“We wanted to create a space where conversations continue, collaborations can begin, and everyone can come together to celebrate the vibrant and diverse music culture emerging from the region,” Lorenzana said.

As Symphonic continues to expand across APAC, Lorenzana said the company wants to do more than provide distribution. The larger goal is to help build a stronger independent music community by giving artists and industry professionals more chances to meet, learn, and grow together.

“As Symphonic continues to expand across APAC, our goal is to empower the independent music community by creating more opportunities for artists and industry professionals to connect, learn, and grow together,” he said.

He added that many people at Symphonic are artists themselves, which gives the company a more personal understanding of what independent musicians need.

“Many of us at Symphonic are artists ourselves, so we understand firsthand how important community, education, and access to meaningful industry relationships can be in building a sustainable career,” Lorenzana said.

By the end of the night, the point of the double bill was clear. The future of independent music in the region will not be built by platforms alone. It will also depend on rooms like this, where artists can study the system, share a stage, and find the people who may help carry their next song further.

“The stronger our community becomes, the stronger the future of independent music in the region will be,” Lorenzana said.

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